The Shroud of Turin was not analyzed by amateur enthusiasts, but by premier physicists, nuclear chemists, and optical engineers from America's top national laboratories and European research institutes.
In October 1978, the Shroud of Turin Research Project (STURP) was granted unprecedented 24-hour access to the cloth for five consecutive days.
The team comprised approximately 40 scientists from institutions including Los Alamos National Laboratory, Sandia National Laboratories, the US Air Force Weapons Laboratory, NASA Jet Propulsion Laboratory, and Lockheed Martin.
Click on any researcher profile below to understand their key findings and institutional background.
An Orthodox Jewish commercial and scientific photographer who joined the 1978 STURP team fully expecting to prove the Shroud was a medieval painting. After examining the chemical, optical, and photographic evidence for decades, he spent the rest of his life as the world's leading educator on the Shroud's authenticity.
World-renowned thermal chemist at Los Alamos who initially defended the 1988 C-14 dating. When presented with evidence of a repair, he conducted chemical micro-analyses on authentic 1988 sample threads and discovered cotton fibers, gum mordant, and madder root dye—proving the sample was a 16th-century reweave.
Utilized Wide-Angle X-ray Scattering (WAXS) to measure the natural aging and crystalline degradation of flax cellulose fibers. After calibrating against ancient Egyptian and Masada textiles, his team tested the Shroud and established that its structural degradation directly fits a 1st-century AD origin.
Former US Air Force Weapons Laboratory physicist who first discovered the Shroud's 3D relief data using the NASA VP-8 Image Analyzer in 1976. Jackson spearheaded the 1978 STURP expedition and continues cutting-edge radiation and image-formation research.
Porphyrin and blood chemistry specialists who proved that the red stains are genuine human blood, rich in bilirubin (consistent with severe traumatic torture) and serum albumin, rather than iron oxide or medieval pigments.
Foremost Israeli botanist who verified the presence of pollen and flower silhouettes on the Shroud, proving that plants such as Gundelia tournefortii and Zygophyllum dumosum must have been gathered around Jerusalem in March-April.
"I was an Orthodox Jew who took the assignment because I thought we'd find paint within ten minutes."
Barrie Schwortz served as the official documenting photographer for STURP. Throughout the 5 days in Turin, he processed thousands of scientific photographs under strict laboratory controls.
When colleague Don Lynn asked him to look at the photos of the blood under high magnification, Barrie realized: "Wait a minute, there's no capillary action. If somebody painted this with paint or dye, the fibers would absorb it. The blood is sitting on top, but the image itself has no liquid vehicle."
In 1996, Barrie founded Shroud.com, building the world's most extensive, peer-reviewed, free archive of scientific papers on the Shroud. He spent the remaining three decades of his life lecturing across the globe, stating:
"The Shroud of Turin is the only relic in the world whose authenticity is established not by church dogma, but by the stubborn refusal of empirical science to explain it away."